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Basir Mahmood (b. 1985 Lahore, Pakistan) studied in Lahore at the Beaconhouse National University, and received a yearlong fellowship from Akademie Schloss Solitude in Stuttgart, Germany, in 2011. In order to engage with situations around him, he ponders upon embedded social and historical terrains of the ordinary, as well as his personal milieu. Using video, film or photograph, Mahmood weaves various threads of thoughts, findings and insights into poetic sequences and various forms of narratives.

Since 2011, his works has been widely shown, including: The Garden of Eden, Palais de Tokyo, Paris, 2012; III Moscow International Biennale for Young Art, Russia, 2012; Inaugural Show, Broad Museum, Michigan State University, 2012; Asia Pacific Triennial (APT 7) at Queensland Art Gallery, Brisbane, 2012; Sharjah Biennial 11. (2013); At Intervals at Cooper Gallery Project Space, Duncan of Jordanstone College of Art & Design, 2014; Des hommes, des mondes at college des bernardins, Paris, 2014; Time of others, Museum of Contemporary Art Tokyo, 2015; Yinchuan Biennial, Yinchuan, 2016, China; “Syntax and Society” at The Abraaj Group Art Prize 2016, Dubai; Contour Biennale 8, Mechelen 2017 and Tableaux Vivants, Foundation Etrillard, Paris 2017, France.

Mahmood has recently been awarded a Residency at the Rijksakademie van beeldende kunsten in Amsterdam (2016-2017) and commission from Sharjah Art Foundation.



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